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Felts - The New Materialism: On Günnur Özsoy's Felt SculpturesIslandHanging HouseA Reflected Assertion - A Conversation between Günnur Özsoy and Melis GolarFrom Habitus to Momentum, and from Object to StructureLight is Whole, My World is in PiecesCosta Mea at Esma SultanCosta MeaOn Costa MeaNotes For GünnurStories from below and above the horizonSpeed, freshness and vitality - A Conversation between Günnur Özsoy and Marcus Graf Dichotomy of Coincidence and PlanPebblesGünnur Özsoy's SculpturesAll Day / Everyday 2Art has one purpose; and that is to discipline the soul. Paul Valéry
Island
Özlem Öztürk Karadoğan, 2024
You will not find it on any map of the world, nor will you see its name in any known guidebook; for it is an invisible island. Hidden deep within the inner world, it drifts quietly at the edge of dreams, in the shadow of imagination. Only a rare kind of traveler can sense its existence — those who descend into the labyrinths of their own soul. No earthly guide could ever describe the true nature of this inner island, because its location shifts according to the geography of one’s spirit. The Non-Island is a void — a place where neither being nor place has yet become conscious. Within this emptiness exists something entirely abstract, a form detached from both time and space. The Non-Island is a state of existence that transcends words, a condition where pure thought transforms into images of abstraction. There is neither the island nor its absence, for it stands beyond every concept that language can define. In that realm, the flow of time slows down, tracing a fragile line between dream and reality. Those who pursue the traces of a timeless being encounter a truth that dissolves into the images of thought. It endures as a space where words fall short and abstract meanings become nearly impossible to grasp. The Non-Island can only be discovered through an inner journey — a voyage into the depths of one’s self, where the images of abstract thought are revealed. It is a secret beyond names, existing only through self-discovery — a pure encounter between the soul and the essence of being. There once was an island that drifted between dreams and reality. With every step taken upon it, a new world would appear, and with every glance, the island’s face would change. Everyone knew of its existence, yet no one could describe its location. Those who had seen it remembered, but their stories always differed. The island’s magic confirmed every tale told about it, allowing each person to find their own truth within it. Its silence was mysterious and enchanting. Every step felt like solving a riddle, and its borders were drawn by the imagination of those who dared to explore it. It was as if the island spoke its own language, inviting each visitor to converse with it differently. Its shape and size constantly shifted — one day it drifted upon the open sea, another day it became a boundless forest. Sometimes it vanished among desert sands; other times it rose from the peaks of distant mountains. Within its nature, a spell lingered — one that wavered between the real and the imagined. People set out to find it, but the island possessed a trick of its own — the ability to hide itself. What was seen and what truly happened intertwined within the island’s own stories. Its drifting on the open sea was like the cities in Calvino’s Invisible Cities: each had meaning and identity, yet none could be fully understood or fixed in place. The island’s essence was not something to be observed, but something hidden within stories, thoughts, and dreams. Its existence lived through imagination — its borders drawn not on maps, but within the mind. It could only be discovered through inner journeys, beyond the boundaries of time and space. An island, surrounded by water and often isolated from other lands, symbolizes the human condition of inner solitude and self-exploration. To discover one’s inner world is like journeying across an island — a voyage inward toward understanding and transformation. At the same time, an island’s defined borders and internal order may represent social structure and collective life. A society can be imagined as an island where individuals live together, each with a role and a responsibility. Throughout history, humanity’s desire to explore unknown lands and embark on great voyages can also be understood through the metaphor of islands — every discovery akin to traveling from one island to another. The island metaphor has long been a powerful symbol in literature, philosophy, and art. It represents not only the physical isolation of land but also the psychological, existential, and epistemological dimensions of human experience — our search for knowledge, our sense of belonging, and our struggle for understanding. Knowledge itself unfolds like the exploration of an island, revealed layer by layer, step by step. In this sense, the island can symbolize the process of defining one’s own identity, values, and beliefs. By shaping the island within, a person forms their own worldview — a reflection of selfhood and understanding. Philosophically, the island has been used to examine questions of knowledge, reality, morality, social order, and existence. Plato, in The Republic, envisioned an ideal state that resembled an island — orderly, just, and well-governed, where harmony arises when each individual fulfills their rightful role. Thomas More’s Utopia depicted an island society of equality, peace, and justice — a dream of perfection beyond the flaws of the real world. Jean-Jacques Rousseau, in The Social Contract, used the island to describe humanity’s passage from natural innocence to the complexities of civil life; by leaving the island and joining society, one loses the purity of solitude. Friedrich Nietzsche, in Thus Spoke Zarathustra, employed the image of the island to express humanity’s journey toward self-creation — the act of forging one’s own values in the face of existential solitude. Epistemologically and ontologically, the island represents the pursuit of knowledge: to reach new understanding is like discovering a new shore. Each island symbolizes what is known; the sea between them, what remains unknown. In literature, the island often embodies themes of solitude, discovery, escape, mystery, and salvation. Characters isolated on islands — whether physically or emotionally — undergo profound transformations. In William Golding’s Lord of the Flies, a group of boys stranded on an island confronts fear, alienation, and the loss of innocence, revealing the struggle for power and order within human nature. In Daniel Defoe’s Robinson Crusoe, the protagonist’s long isolation forces him to survive, adapt, and confront the essence of loneliness itself — the island becoming both his prison and his path to self-understanding. Across cultures, the island remains a universal metaphor. In Japanese culture, haji no shima (“the island of shame”) describes the feeling of being alone after making a mistake — isolation born from social pressure. In English, the word castaway conveys both physical isolation and emotional exile. In M?ori culture, motu (island) reflects both solitude and the feeling of being distinct or separate. In modern usage, the term island mentality captures the sense of isolation that small or insular communities may feel. In the twenty-first century, the island metaphor mirrors the modern experience of loneliness and alienation. In a world increasingly connected through technology, people may not live on physical islands, yet they often inhabit digital ones — isolated in online spaces that simulate togetherness but deepen solitude. The global pandemic further reinforced this image. Isolation and quarantine made many feel physically and emotionally stranded, confronting anxiety, loneliness, and disconnection. Today, the island stands not only as a symbol of separation but also of reflection — a mirror for the human condition, expressing our search for meaning amid isolation, our struggle between belonging and freedom, and our endless voyage toward self-knowledge.